Shaira Vadasaria

Gaza on Screen (ed. Nadia Yacoub, Duke University Press 2023)

Book Abstract:

Gaza’s long association with resistance and humanitarian need has generated a complex and ever shifting range of visual material, comprising not just news reports and documentaries, but also essay, experimental, and fiction films, militant videos, and solidarity images. Contributors to Gaza on Screen, who include scholars and Gazan filmmakers, explore the practice, production, and impact of film and videos from and about the Gaza Strip. Conceptualizing screens—both large and small—as tools for mediation that are laden with power, the volume explores Gazan film and video in relation to humanitarianism and human rights, care, community, environment, mobility and confinement, and decolonization. The volume includes visual material ranging from solidarity broadcasts on Lebanese television, mid-twentieth-century British Pathé newsreels, and fiction films to breaking news, visuals of contemporary militant resistance, documentaries, and found footage films, arguing for a visual ecosystem in which differing types of film and video affect and inform each other. Throughout, Gaza on Screen demonstrates that screens shape and sustain relationships between Gaza and the world, and help to sustain the possibility of a different future.

The unresolved question of Palestinian displacement raises important considerations in a settler colonial era of reparations. One line of inquiry that remains relevant for thinking about the future of redress to Palestinian displacement is the following: How did an Indigenous Palestinian society with historical ties to land come to be governed as refugees external to the land? Examining a set of progress reports issued by Count Folke Bernadotte - the first UN appointed Mediator on Palestine - this paper considers how a land-based reparative justice question became folded into a humanitarian structure, which has now stretched the course of seven decades. Centering the struggle for return as a site of ontological contestation, I consider how we might read these key decisions made between 1948-1951 around redress and the emergence of humanitarian governance as part of, and within a wider genealogy of race and settler colonialism in Palestine.

This paper examines the construction of the Simon Wiesenthal Center ‘Museum of Tolerance (Jerusalem)’ over Mamilla Cemetery, one of the largest Muslim burial grounds in the region. Tracing the politics of death as exercised through the excavation of the cemetery, I consider how access to settler colonial memory is managed and renewed through the purging of Indigenous corporeality. Inspired by Achille Mbembe’s sobering account of necropower, this paper conceptualizes power as a system of domination inscribed through the colonial management of deceased racial subjects and asks how we might understand systems of settler colonial power arranged through dehumanization of the already dead. I contend that the capacity to govern life after death is still firmly rooted in the reach of colonial power, and that by attending to the excavation and erasure of Mamilla Cemetery’s deceased Palestinian subjects, we see a particular configuration of sovereignty defined through a calculus of absence. Identifying this practice of settler colonial nation building as ‘necronationalism’, I consider how power over life after death becomes the very terrain through which a nation is imagined.